William Dean Howells

William Dean Howells

Summary

Portrait of William Dean Howells William Dean Howells A Hazard of New Fortunes — Part Third… (1890)

Mother never goes anywhere; you couldn't get her out for love or money." But she was herself overwhelmed with a simple joy at Margaret's politeness, and showed it in a sensuous way, like a child, as if she had been tickled. She came closer to Margaret and seemed about to fawn physically upon her.
"Ain't she just as lovely as she can live?" she demanded of her sister when Margaret was gone.
"I don't know," said Christine. "I guess she wanted to know who Mr. Beaton had been lending her banjo to."
Source: Wikisource

Portrait of William Dean Howells William Dean Howells A Hazard of New Fortunes — Part Third… (1890)

She found herself, before she knew it, making her banjo a property in the little comedy, and professing so much pleasure in the fact that Miss Dryfoos was taking it up; she had herself been so much interested by it. Anything, she said, was a relief from the piano; and then, between the guitar and the banjo, one must really choose the banjo, unless one wanted to devote one's whole natural life to the violin. Of course, there was the mandolin; but Margaret asked if they did not feel that the bit of shell you struck it with interposed a distance between you and the real soul of the instrument
Source: Wikisource

Portrait of William Dean Howells William Dean Howells A Hazard of New Fortunes — Part Third… (1890)

They began to tell of the wonders of their strange land in an antiphony of reminiscences and descriptions; they unconsciously imputed a merit to themselves from the number and violence of the wells on their father's property; they bragged of the high civilization of Moffitt, which they compared to its advantage with that of New York. They became excited by Margaret's interest in natural gas, and forgot to be suspicious and envious.
Source: Wikisource

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