William MacHarg

Summary

William MacHarg The Indian Drum (1917)

But into the contest between Spearman and himself—that contest, he was beginning to feel, which must threaten destruction either to Spearman or to him—she had entered. Her happiness, her future, were at stake; her fate, he was certain now, depended upon discovery of those events tied tight in the mystery of Alan's own identity which Spearman knew, and the threat of which at moments appalled him. Alan winced as there came before him in the darkness of the street the vision of Constance in Spearman's arms and of the kiss that he had seen that afternoon.
Source: Wikisource

William MacHarg The Indian Drum (1917)

She delayed a moment to ask Alan to let down the windows; the sky was still clear, and the sunshine had become almost warm, though the breeze was sharp and cold. As the car rolled down the drive, and he turned for a long look past her toward the lake, she watched his expression.
"It's like a great shuttle, the ice there," she commented, "a monster shuttle nearly three hundred miles long. All winter it moves back and forth across the lake, from east to west and from west to east as the winds change, blocking each shore half the time and forcing the winter boats to fight it always."
Source: Wikisource

William MacHarg The Indian Drum (1917)

Was it because there was something still concealed in Corvet's house which Spearman feared Alan would find? Or was it connected only with that some one whom Alan resembled? Who was it Alan resembled? His mother? In what had been told him, in all that he had been able to learn about himself, Alan had found no mention of his mother—no mention, indeed, of any woman. There had been mention, definite mention, of but one thing which seemed, no matter what form these new experiences of his took, to connect himself with all of them—mention of a ship, a lost ship—the Miwaka.
Source: Wikisource

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