Summary

Portrait of William Morris William Morris News from Nowhere — Chapter XXIX: A RESTING-PLACE ON THE UPPER THAMES (1890)

You were going to say that in times of inequality it was an essential condition of the life of these rich men that they should not themselves make what they wanted for the adornment of their lives, but should force those to make them whom they forced to live pinched and sordid lives; and that as a necessary consequence the sordidness and pinching, the ugly barrenness of those ruined lives, were worked up into the adornment of the lives of the rich, and art died out amongst men?
Source: Wikisource

Portrait of William Morris William Morris News from Nowhere — Chapter XXIX: A RESTING-PLACE ON THE UPPER THAMES (1890)

I should be quite content to dream about past times, and if I could not idealise them, yet at least idealise some of the people who lived in them. But I think sometimes people are too careless of the history of the past—too apt to leave it in the hands of old learned men like Hammond. Who knows? Happy as we are, times may alter; we may be bitten with some impulse towards change, and many things may seem too wonderful for us to resist, too exciting not to catch at, if we do not know that they are but phases of what has been before
Source: Wikisource

Portrait of William Morris William Morris News from Nowhere — Chapter XXIX: A RESTING-PLACE ON THE UPPER THAMES (1890)

A delicate spire of an ancient building rose up from out of the trees in the middle distance, with a few grey houses clustered about it; while nearer to us, in fact not half a furlong from the water, was a quite modern stone house—a wide quadrangle of one story, the buildings that made it being quite low.
Source: Wikisource

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