Zona Gale

Zona Gale

Summary

Portrait of Zona Gale Zona Gale The Wood of Ydren (1904)

A little shepherdess, with her head singing with his own dreams! A little living girl, with a fancy wild as a fairy's and an accidental loveliness besides!
Llorien sighed, contentedly. It was wonderful to have some one near who did not talk of sheep-shearing at every breath, like Cynan. It was wonderful to have some one near who was not always silent, like her father, or lamenting, like old Gervyl. Why, this strange wood-god, with his face uplifted and his tongue sweet with names musical, was her kin, nearer to her than her austere cousins in Glastonbury, nearer than Glaunt himself!
Source: Wikisource

Portrait of Zona Gale Zona Gale The Wood of Ydren (1904)

She was still, and she was happy; but she knew—wise little shepherdess who had found things out alone—she knew that what they dreamed must never be.
“Wood-God! Wood-God!” she sobbed then, clinging to him, “why didn't they make you just a man for me to love—yes, even a man like Cynan. At last I know—I know! And I wish you had been like Cynan!”
“But I am a man!” cried Ronald, “and I love you, Llorien, and I want to be always with you, and with no one else in the world.”
Source: Wikisource

Portrait of Zona Gale Zona Gale The Wood of Ydren (1904)

Ronald Edgar always became an immediate part of any picture in which he found himself. Perhaps this was because he was young, and his heart sang within him, and because he lived every moment as if it were an unreal, painted moment, and not at all a part of the life that was some time to begin for him. He was, you will see, a poet. And he came out of the Wood of Ydren that morning into the lowland where white Spring was rioting and the little shepherdess was watching her flock, looking quite as if he had been painted in place by some kind god.
Source: Wikisource

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