author:C. N. Williamson

Summary

author:C. N. Williamson The Minx Goes to the Front — Part I (1919)

We had talked and heard a lot of talk about "war conditions," and it seemed natural that there should be a dearth of conveyances for the civil population. If the girl had been unable to get a taxi, for instance, mother would have judged that it served the frivolous creature right for wandering about a war-stricken world with her ridiculous dog. That we shouldn't get one, however, was a blow. It appeared incredible. It was like an awful dream that Mrs. Henry Wayne and her party should be stranded in a Paris station with their luggage and no visible means of escape.
Source: Wikisource

author:C. N. Williamson The Minx Goes to the Front — Part I (1919)

The Minx was impressed. "My goodness!" she gasped. "Going to the front? I didn't know one could."
"Ordinary persons cannot," mother deigned to explain. "We go for writing purposes."
"Writing purposes!" repeated Miss Mix. "Do you all write?"
"Not all," said mother faintly. She flushed in a way she has when irritated: red veining on cheekbones and tip of noble Roman matron nose. I wickedly surmised that she was more vexed with the Minx for ignorance of who Mrs. Henry Wayne was than for curiosity.
Source: Wikisource

author:C. N. Williamson The Minx Goes to the Front — Part I (1919)

Being essentially British, British soil is to her what a pedestal is to a weighty statue. Without such support she feels, I think, that she loses something of her virtue, something of her importance, one being inseparable from the other. She has not the serene confidence that everyone knows who she is, which answers to an ornamental frieze on the said pedestal. Besides she considers that a woman's worst clothes are the ones best adapted for a journey. Their color hardly matters if they're old enough, and unbecoming.
Source: Wikisource

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