e. e. cummings

e. e. cummings

Summary

Portrait of e. e. cummings e. e. cummings The Enormous Room — ZOO-LOO (1922)

The Young Pole with a shriek of fear climbed the Zulu—receiving just as he had compassed this human hurdle a crack on the seat of his black pants that stood him directly upon his head. Pivoting slightly for an instant he fell loosely at full length on his own paillasse, and lay sobbing and roaring, one elbow protectingly raised, interspersing the inarticulations of woe with a number of sincerely uttered "Assez!'s".
Source: Wikisource

Portrait of e. e. cummings e. e. cummings The Enormous Room — ZOO-LOO (1922)

The Young Pole had by this time recovered sufficiently to get upon his hands and knees behind the Zulu; who was hurriedly but calmly propelling himself in the direction of the cherished cigarette-holder, which had rolled under the remains of the stove. Bill The Hollander made for his enemy, raising perpendicularly ten feet in air the unrecognisably dented summit of the pipe which his colossal fists easily encompassed, the muscles in his treelike arms rolling beneath the chemise like balloons.
Source: Wikisource

Portrait of e. e. cummings e. e. cummings The Enormous Room — ZOO-LOO (1922)

That the stupidity of his friend, The Young Pole, hurt The Zulu deeply I discovered by looking at him as he lay in bed the next morning, limply and sorrowfully prone; beside him the empty paillasse, which meant cabinot ... his perfectly extraordinary face (a face perfectly at once fluent and angular, expressionless and sensitive) told me many things whereof even The Zulu might not speak, things which in order entirely to suffer he kept carefully and thoroughly ensconced behind his rigid and mobile eyes.
Source: Wikisource

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