various contributors

Punch, Volume 147, Issue 3810… (19th and 20th century)

Summary

various contributors Punch, Volume 147, Issue 3810… (19th and 20th century)

Sylvia herself is a character that lives, and her mother, Rachel, almost eclipses her in this same quality of tragic vitality. The whole tale is a tragedy of empty and meaningless lives passed in an atmosphere of too much money and too little significance. The "society" of a Northern manufacturing plutocracy, the display and rivalry, the marriages between the enriched families, the absence of any standard except wealth—all these things are set down with the minute realism that must come, I am sure, of intimate personal knowledge.
Source: Wikisource

various contributors Punch, Volume 147, Issue 3810… (19th and 20th century)

Sylvia is the offspring of one such family, and mated to the decadent heir of another. Her tragedy is that too late she meets a man whom she supposes capable of giving her the fuller, more complete life for which she has always ignorantly yearned. Then there is Anne, the penniless girl, hired as a child to be a play fellow for Sylvia, who herself loves the same man, and dies when his dawning affection is ruthlessly swept away from her by the dominant personality of Sylvia.
Source: Wikisource

various contributors Punch, Volume 147, Issue 3810… (19th and 20th century)

Frederick Palmer's success in achieving his purpose, which, obviously, was to conceive modern warfare as between two First-class Powers, firghting in the midst of civilisation, and to reduce it to terms of exact realism, showing the latest devices of destruction at work, but carefully excluding those improbable and impossible agencies which the more exuberant but less informed novelist loves to imagine and put in play.
Source: Wikisource

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