Virginia Woolf

Definition and stakes

Portrait of Virginia Woolf Virginia Woolf,  Night and Day (1919)

“ Katharine now renewed her signs of leave-taking; she had drawn on one of her gloves, and looked about her as if in search of some trivial saying to end with. Wasn’t there some picture, or clock, or chest of drawers which might be singled out for notice? something peaceable and friendly to end the uncomfortable interview? The green-shaded lamp burnt in the corner, and illumined books and pens and blotting-paper. The whole aspect of the place started another train of thought and struck her as enviably free; in such a room one could work—one could have a life of one’s own. ”
Source: Gutenberg

Portrait of Virginia Woolf Virginia Woolf,  Night and Day (1919)

“ Katharine had risen, and was glancing hither and thither, at the presses and the cupboards, and all the machinery of the office, as if she included them all in her rather malicious amusement, which caused Mary to keep her eyes on her straightly and rather fiercely, as if she were a gay-plumed, mischievous bird, who might light on the topmost bough and pick off the ruddiest cherry, without any warning. Two women less like each other could scarcely be imagined, Ralph thought, looking from one to the other. ”
Source: Gutenberg

Portrait of Virginia Woolf Virginia Woolf,  Night and Day (1919)

“ Between twelve and one that Sunday night Katharine lay in bed, not asleep, but in that twilight region where a detached and humorous view of our own lot is possible; or if we must be serious, our seriousness is tempered by the swift oncome of slumber and oblivion. She saw the forms of Ralph, William, Cassandra, and herself, as if they were all equally unsubstantial, and, in putting off reality, had gained a kind of dignity which rested upon each impartially. ”
Source: Wikisource

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