Charles Edward Clark

Biographical details

Portrait of Charles Edward Clark Charles Edward Clark Houghton Mifflin Co. v. Stackpoke Sons… (1939)

In a case such as this, where two editions of a book of great popular interest are being actively promoted in competition with each other, it is obvious that much of the damage to a rightful owner of copyright, if any there be, will have been done by the time the action may be tried and final decree entered upon an accounting. Such owner needs protection now when the book is at the height of its sales, or else he may never be able to realize the fruits of ownership.
Source: Wikisource

Portrait of Charles Edward Clark Charles Edward Clark Houghton Mifflin Co. v. Stackpoke Sons… (1939)

If the first sentence is a broad grant of authority, the plaintiff’s position is sound; if the only grant of copyright protection to aliens is that of the second sentence, to those who are citizens or subjects of other nations, defendants have their justification for treating this work as in the public domain.
It is well settled that a “proprietor,” not the author, stands in no better status in acquiring a copyright than does the author, and hence the Eher firm could not claim the benefits of the statute if Hitler was not in a position to do so.
Source: Wikisource

Portrait of Charles Edward Clark Charles Edward Clark Houghton Mifflin Co. v. Stackpoke Sons… (1939)

For the second sentence by its terms limits all the remaining provisions of the section, including that dealing with aliens domiciled here, to an author or proprietor “who is a citizen or subject of a foreign State or nation only.” In fact, this means a limitation upon the rights of aliens going beyond those existing prior to the International Copyright Act of 1891. Plaintiff’s reading of the statute avoids this unfortunate restriction on the privileges of resident aliens; it makes the statute a consistent and complete authorization of protection to all authors, as its protagonists intended.
Source: Wikisource

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