Charlotte Mew

Biographical details

Portrait of Charlotte Mew Charlotte Mew,  The Farmer's Bride (1921)

“ We slept with it, but face to face, the whole night through—
One breath, one throbbing quietness, as if the thing behind our lips was endless life,
Lost, as I woke, to hear in the strange earthly dawn, his "Are you there?"
And lie still, listening to the wind outside, among the firs.
So Mary chose the dream of Him for what was left to her of night and day,
It is the only truth: it is the dream in us that neither life nor death nor any other thing can take away:
But if she had not touched Him in the doorway of the dream could she have cared so much?
”
Source: Wikisource

Portrait of Charlotte Mew Charlotte Mew,  The Farmer's Bride (1921)

“ The jessamine music on the thin night air,
Or, sometimes, my own hands about me anywhere—
The sight of my own face (for it was lovely then) even the scent of my own hair,
Oh! there was nothing, nothing that did not sweep to the high seat
Of laughing gods, and then blow down and beat
My soul into the highway dust, as hoofs do the dropped roses of the street.
I think my body was my soul,
And when we are made thus
Who shall control
Our hands, our eyes, the wandering passion of our feet,
Who shall teach us
To thrust the world out of our heart
”
Source: Wikisource

Portrait of Charlotte Mew Charlotte Mew,  The Farmer's Bride — On the Asylum Road (1921)

“ None but ourselves in our long gallery we meet,
⁠The moor-hen stepping from her reeds with dainty feet,
⁠The hare-bell bowing on his stem,
Dance not with us; their pulses beat
⁠To fainter music; nor do we to them
⁠Make their life sweet.
The gayest crowd that they will ever pass
⁠Are we to brother-shadows in the lane:
Our windows, too, are clouded glass
⁠To them, yes, every pane!
”
Source: Wikisource

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