Dhanañjaya

Biographical details

Dhanañjaya,  The Daśarūpa (1912)

“ The excellence of Dhanaṃjaya’s presentation and its convenient form gave the Daśarūpa a prominence that it has retained to the present day. As a compact exposition of the dicta of the Bhāratīyanāṭyaśāstra, it largely superseded that work, manuscripts of which are consequently extremely rare, and it so completely supplanted such dramaturgic treatises as existed previous to its time, that it is, with the sole exception of the Bh., the oldest extant work in its field. ”
Source: Wikisource

Dhanañjaya,  The Daśarūpa (1912)

“ Very probably Dhanika was a poet of some repute and belonged to the literary circle at King Muñja’s court, [63] for we find his name mentioned with those of Other poets (Kālidāsa, Amara, Sundara, and Śaṅkha) in an anonymous stanza recorded by Cowell. [64]
Character and value. Although professedly an aid to the understanding of the text, the commentary leaves much to be desired and is not nearly so helpful as the average work of its kind. At times it explains what is so clear as to require no comment (this is, however, frequently the case in Hindu glosses)
”
Source: Wikisource

Dhanañjaya,  The Daśarūpa (1912)

“ Concerning Dhanaṃjaya [21] himself nothing is known save his authorship of the Daśarūpa and his relations with King Muñja, aside from the fact that a stanza attributed to him is included in Śrīdharadāsa’s anthology, the Saduktikarṇāmṛta. [22] Some idea of the literary atmosphere in which he lived, however, can be obtained from a consideration of the other writers that flourished in Mālava at this time. Foremost to command our attention is Dhanika, son of Viṣṇu, who not only wrote poetry in Sanskrit and in Prākrit, but also prepared the current commentary on the Daśarūpa. ”
Source: Wikisource

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