Dhanañjaya

Summary

Dhanañjaya The Daśarūpa (1912)

The excellence of Dhanaṃjaya’s presentation and its convenient form gave the Daśarūpa a prominence that it has retained to the present day. As a compact exposition of the dicta of the Bhāratīyanāṭyaśāstra, it largely superseded that work, manuscripts of which are consequently extremely rare, and it so completely supplanted such dramaturgic treatises as existed previous to its time, that it is, with the sole exception of the Bh., the oldest extant work in its field.
Source: Wikisource

Dhanañjaya The Daśarūpa (1912)

Concerning Dhanaṃjaya [21] himself nothing is known save his authorship of the Daśarūpa and his relations with King Muñja, aside from the fact that a stanza attributed to him is included in Śrīdharadāsa’s anthology, the Saduktikarṇāmṛta. [22] Some idea of the literary atmosphere in which he lived, however, can be obtained from a consideration of the other writers that flourished in Mālava at this time. Foremost to command our attention is Dhanika, son of Viṣṇu, who not only wrote poetry in Sanskrit and in Prākrit, but also prepared the current commentary on the Daśarūpa.
Source: Wikisource

Dhanañjaya The Daśarūpa (1912)

The lexicographer Halāyudha also, in commenting on the metrical treatise of Piṅgala, includes stanzas in praise of Muñja’s liberality. [11] Furthermore Dhanika, poet and commentator, held an official position at the court; [12] Dhanaṃjaya claims, as we have seen, to have profited by conversations with his august ruler; and the work of other authors, to be mentioned below, bears added witness to the literary activity during his reign. Some indication that Muñja himself was regarded as a poet [13] is to be found in the fact that Merutuṅga depicts the captive king as versifying his plaints.
Source: Wikisource

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