E. D. Cuming

Biographical details

E. D. Cuming George Morland: Sixteen examples in colour of the artist's work

The great popularity of W. R. Bigg's pictures of child-life led the dealers to persuade Morland to take up the same line of work, and in his pictures of child-life the artist shows himself what we know him to have been—a lover of children and one who had perfect understanding of them. The insight with which he portrayed children is only equalled by that which distinguishes his animal paintings. Morland's horses, ponies, asses, calves, and pigs, are entirely his own; they possess a character which stamps them as the work of one who had almost uncanny knowledge.
Source: Gutenberg

E. D. Cuming Coaching Days & Ways

This was what is termed on the road a long fall of ground, and the coach rather pressed upon the horses. The temper of the race-horse became exhausted: breaking into a canter, he was of little use as a wheeler, and there was then nothing for it but a gallop. The leaders only wanted the signal; and the point of the thong being thrown lightly over their backs, they were off like an arrow out of a bow: but the rocking of the coach was awful, and more particularly so to the passengers on the roof. Nevertheless, she was not in danger: the master-hand of the artist kept her in a direct line
Source: Gutenberg

E. D. Cuming George Morland: Sixteen examples in colour of the artist's work

He rarely painted a well-bred horse; the animal that appealed to him was the farmer's work-horse or the slave of the carter, and on these he expended his greatest skill. Only an artist who was also a horseman could paint the horse as he painted it. He has been described as a "pig painter," but this refers rather to the success with which he proved the artistic possibilities of subjects so unpromising than to the number of works in which pigs occur, though it is admitted that he was fond of painting such pictures.
Source: Gutenberg

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