Frederic George Kitton

“ As the elder Leech showed some skill as a draughtsman, we may reasonably assume that from him the son inherited a talent for drawing, by means of which he was destined, before many years had passed, to astonish the world by his humour and originality. When a mere lad, he exhibited such aptitude and dexterity with the pencil, that Flaxman, the famous sculptor, pronounced these precocious efforts to be wonderful, and exclaimed: "That boy must be an artist; he will be nothing else or less." ”

“ Dickens, like David, was keenly sensible of the humiliation of what he could not help regarding as a very menial occupation—the tying-up and labelling innumerable pots of paste-blacking—which he was now destined to follow, and for the remainder of his life he never recalled this episode without a pang.
He reminded Forster how fond he was of roaming about the neighbourhood of the Strand and Covent Garden during the dinner hour, intently observing the various types of humanity with precocious interest, and storing up impressions which were destined to prove invaluable to him. ”

“ I don’t in the abstract approve of Brighton. I couldn’t pass an autumn here, but it is a gay place for a week or so; and when one laughs or cries, and suffers the agitation that some men experience over their books, it’s a bright change to look out of window, and see the gilt little toys on horseback going up and down before the mighty sea, and thinking nothing of it.” [60] In February, 1849, Dickens spent another holiday at Brighton, accompanied by his wife and sister-in-law and two daughters, and they were joined by the genial artist John Leech and his wife. ”

“ The gentlest and most modest of men, the freshest as to his generous appreciation of young aspirants, and the frankest and largest-hearted as to his peers, incapable of a sordid or ignoble thought, gallantly sustaining the true dignity of his vocation, without one grain of self-ambition, wholesomely natural at the last as at the first, 'in wit a man, simplicity a child,' no artist, of whatsoever denomination, I make bold to say, ever went to his rest leaving a golden memory more pure from dross, or having devoted himself with a truer chivalry to the art-goddess whom he worshipped. ”

“ Dickens delighted to entertain his friends at the Albion, where, upon one of the walls, hangs an original letter containing a description of Broadstairs, penned by the novelist himself:
“A good sea—fresh breezes—fine sands—and pleasant walks—with all manner of fishing-boats, lighthouses, piers, bathing-machines, are its only attractions; but it is one of the freshest and freest little places in the world.” Here, too, is jealously preserved an ancient oak chest on which he was wont to sit while he and his intimates quaffed the old hostelry’s unrivalled milk-punch. ”

“ These juvenile disciples of the brush then worked hard at drawing in colour. Browne paid his share of the rent in drawings, which he produced rapidly; indeed, there was a solemn compact between the co-workers to "do three a day"—they subsisting, meanwhile, on the simplest fare. At this time he attended the evening class at the "Life" School in St. Martin's Lane, and was a fellow-pupil with Etty, the famous painter of the "nude." It was Browne's great delight to watch this talented student at work, and he considerably neglected his own studies in consequence. ”

“ I know no artist," he continues, "so alive as Cruikshank to the pretty sedateness of Georgian architecture. Then, too, there is the girl with basket on arm, a figure not quite ungraceful in line and gesture. She might have been much better if Cruikshank had ever made himself that accurate draughtsman of the figure which he hardly essayed to be, and she and all her fellows—it is only fair to remember—might have been better, again, had the artist who designed her done his finest work in a happier period of English dress." ”

“ For, when other shifting recollections of Frederic Kitton fade x away—accidents of a common interest, chances of a brief and busy acquaintanceship—the impression that remains, and will always remain with those who knew him, is the haunting impression of a sweet and winning simplicity, an absolute sincerity of life and word, that knew no use for the thing he said but that it should be the thing he thought, and that never (so it seemed) thought anything of man, or woman, or child but what was kind and Christian and noble-hearted. ”

“ Dickens was a very young man, and had commenced delighting the world with some charming humorous works, of which I cannot mention the name, but which were coloured light green and came out once a month, that this young man wanted an artist to illustrate his writings, and I recollect walking up to his chambers with two or three drawings in my hand, which, strange to say, he did not find suitable. ”

“ No artist was so popular or so prolific as a book-illustrator, with the exception, perhaps, of George Cruikshank. It may fairly be questioned whether the works of Charles Dickens, with which the name of "Phiz" is most intimately associated in our minds, would have achieved such notoriety without the aid of the etching needle so ably wielded. Mr. John Hollingshead, in his essay on Dickens, says:—
"The greater the value of a book as a literary production, the more will the circle of its influence usually be narrowed. ”

“ But who would ever have imagined that their dwellings may bring grave responsibility and grave trouble to those who take up their abode in a house which the presence of their genius has hallowed? I live in Tavistock House, Tavistock Square, London—a dear house, in a nice, quiet, shady garden, where grow fine large old plantains (out of the Square proper) , and where in summer, from every window of the house, you may imagine yourself in the country—the real country! That sounds very grand and luxurious in London ”

“ In his famous eulogy on Cruikshank, Thackeray remarked: "We are not at all disposed to undervalue the works and genius of Mr. Dickens, and we are sure that he would admit as readily as any man the wonderful assistance that he has derived from the artist who has given us portraits of his ideal personages, and made [Pg 13] them familiar to all the world. Once seen, these figures remain impressed on the memory, which otherwise would have had no hold upon them, and the Jew and Bumble, and the heroes and heroines of the Boz Sketches, become personal acquaintances with each of us. ”

“ So bountiful in its abundance was the surrounding country, and so lean and scant the village, that one might have thought the village had sown and planted everything it once possessed to convert the same into crops. This would account for the bareness of the little shops, the bareness of the few 182 boards and trestles designed for market purposes in a corner of the street, the bareness of the obsolete inn and inn yard, with the ominous inscription, ‘Excise Office,’ not yet faded out from the gateway, as indicating the very last thing that poverty could get rid of.... ”

“ Pilgrims in Dickens land would do well to visit Kit’s Coty House and Blue Bell Hill, where, from the higher elevations, a prospect is revealed of enchanting beauty; from such a point of vantage we behold an extensive view of the valley, in which are seen little 202 hamlets, cornfields, hop gardens, orchards, and spinneys, with the river Medway meandering in the direction of Rochester, and gradually widening as it approaches that ancient town. ”

“ Forster intimates that these "three morsels of English landscape," delineated by Stanfield, had a singular charm for Dickens at the time, who referred to the illustrations altogether as by far the best that had been done for any of the Christmas Books. "It is a delight," he remarked concerning Stanfield's designs, "to look at these little landscapes of the dear old boy. How gentle and elegant, and yet how manly and vigorous they are! ”

“ In Household Words may be found an elaborate, amusing (but doubtless accurate) description of Wigton marketplace as seen at night nearly fifty years ago, and written with Dickens’s customary power, illustrating his marvellous acuteness of observation:
“Wigton market was over, and its bare booths were smoking with rain all down the street.... ‘I see,’ said Brother Francis, ‘what I hope and believe to be one of the most dismal places ever seen by eyes. I see the houses with their roofs of dull black, their stained fronts, and their dark-rimmed windows, looking as if they were all in mourning. ”

“ George Stanfield, observed: "No one of your father's friends can ever have loved him more dearly than I always did, or can have better known the worth of his noble character." To the famous painter, for whom he ever entertained a strong affection, the novelist had dedicated "Little Dorrit," and, as a tribute to his memory, wrote (in All the Year Round) a sympathetic eulogium upon his departed friend of thirty years, where, after alluding to the artist as "the National historian of the Sea," he says: "He was a charitable, religious, gentle, truly good man. ”

“ Pickwick could obtain a pleasant glimpse of the river, with its numerous sailing-barges, in the direction of Chatham; but the prospect, alas! is now completely blotted out by hideous railway viaducts. Happily, in spite of modern innovations, those who appreciate the old-world air of our English cities will find much to charm them in the precincts of the Cathedral, sufficiently remote from the bustle and noise of the High Street to enable it to preserve the quiet serenity which invariably encompasses our venerable minsters. ”

“ The amicable relationship that had subsisted between the author and his principal illustrator was not strained by this event. As a matter of fact, the artist ever entertained a tender regard and admiration for the famous romancer with whom he had so long been associated, and we may readily believe what a writer in the Frankfurt Zeitung tells us when he says: "Just after the death of Charles Dickens, 'Phiz' was considerably affected by the mere mention of the name of that illustrious novelist, which seemed to stir up in his breast feelings of regret at losing such a friend." ”

“ IN DICKENS LAND.
“Kent, sir! Everybody knows Kent. Apples, cherries, hops, and women.” Thus did Alfred Jingle briefly summarize for the behoof of Tracy Tupman the principal characteristics of the county which, by general consent, is termed “the Garden of England,” a designation richly merited through its sylvan charms and other natural beauties.
This division of south-eastern England is rightly considered as the very heart of Dickens land, for the reason that no other locality (excepting, of course, the great Metropolis) possesses such numerous associations with the novelist and his writings. ”

“ It is, however, no exaggeration to say that the pencil of George Cruikshank was as admirable in its power of delineating character as was the mighty pen of Charles Dickens, and that in the success and popularity of "Oliver Twist" they may claim an equal share. ”

“ Looking northward from this high elevation, we may view the marshes, which flat and dreary expanse is relieved by a glimpse of the Thames, widening as it approaches seaward, and bearing upon its silvery bosom a number of vessels, both steamships and sailing ships, the ruddy brown sails of the barges giving colour to the scene. To the east is the valley of the Medway, the prospect including a distant view of Rochester, crowned by the rugged keep of the old Castle and by the Cathedral tower. ”

“ Fortunately, the art of drawing upon wood (then much in vogue, but now practically obsolete) needed very little training in the hands of one skilled in the use of the pencil, so that Dickens was induced to favour Marcus Stone by agreeing to the adoption of the readiest means of producing his designs for the engraver. It is not generally known that the artist's first attempt at drawing on wood was the frontispiece for the first cheap edition of "Little Dorrit" (1861) , which, although showing marked ability, is by no means equal to his subsequent efforts. ”

“ In 1858 Dickens presided at the annual meeting of the Institutional Association of Lancashire and Cheshire, held in the Manchester Athenæum and the Free Trade Hall, and handed prizes to candidates from more than a hundred local mechanics’ institutes affiliated to the association. “Knowledge has a very limited power indeed,” he observed, in the speech delivered on behalf of the Manchester Mechanics’ Institute in Cooper Street, “when it informs the head alone; but when it informs the head and heart too, it has power over life and death, the body and the soul, and dominates the universe.” ”

“ Marcus Stone was fortunate in making his début as a black-and-white draughtsman at the time when a remarkable array of talent presented itself in the pages of the Cornhill Magazine, just then launched by Thackeray, the illustrations for which were supplied by Millais, Fred. Walker, Sandys, and Leighton—a new school of designers, whose admirable pencillings could not fail to inspire the younger members of the craft. ”