Frederic George Kitton

Summary

Frederic George Kitton,  The Dickens Country

“ In Tavistock Square stands Tavistock House. This and the strip of garden in front are shut out from the thoroughfare (Gordon Place, on the east side) by an iron railing. A large garden, with a grass plot and high trees, stretches behind the house, and gives it a countrified look in the midst of this coal and gas-steaming London. In the passage from street to garden hung pictures and engravings. Here stood a marble bust of Dickens, so like him, so youthful and handsome; and over a bedroom door were inserted the bas-reliefs of Night and Day, after Thorwaldsen. ”
Source: Gutenberg

Frederic George Kitton,  The Dickens Country

“ Dickens, like David, was keenly sensible of the humiliation of what he could not help regarding as a very menial occupation—the tying-up and labelling innumerable pots of paste-blacking—which he was now destined to follow, and for the remainder of his life he never recalled this episode without a pang.
He reminded Forster how fond he was of roaming about the neighbourhood of the Strand and Covent Garden during the dinner hour, intently observing the various types of humanity with precocious interest, and storing up impressions which were destined to prove invaluable to him.
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Source: Gutenberg

Frederic George Kitton,  The Dickens Country

“ I don’t in the abstract approve of Brighton. I couldn’t pass an autumn here, but it is a gay place for a week or so; and when one laughs or cries, and suffers the agitation that some men experience over their books, it’s a bright change to look out of window, and see the gilt little toys on horseback going up and down before the mighty sea, and thinking nothing of it.” [60] In February, 1849, Dickens spent another holiday at Brighton, accompanied by his wife and sister-in-law and two daughters, and they were joined by the genial artist John Leech and his wife. ”
Source: Gutenberg

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