“ O King Jímútaketu, this shower of ambrosia is caused to fall by the repentant lord of birds, to restore to life Jímútaváhana, and these lords of the Nágas, now only skeletons. (Pointing with a finger.) Do you not see these lords of Nágas? Now they reach Śankhachúda, their heads bright with the rays of their unveiled crest-jewels—now they lick up the very ground in their haste to devour the ambrosia with their two-forked tongues—and now, hurrying along, they plunge into the ocean by tortuous paths, like the waters of the rivers of the Malaya hills. (Addressing the hero.) ”
Harsha
Biographical details
Harshavardhana (590–647), known as Harsha, was a ruler of the Vardhana dynasty who governed much of northern India from his capital at Kannauj. His reign, characterized by military campaigns and bureaucratic reforms, cultivated a cosmopolitan court that drew intellectuals and spiritual leaders, including the Chinese traveler Xuanzang.
A supporter of both Shaivism and Buddhism, Harsha’s literary contributions include the Sanskrit play Nagananda, which blends Hindu and Buddhist themes. His life story, Harshacharita, written by Banabhatta, recounts his ascent to power and rule. Despite his loss to the Chalukya king Pulakeshin II at the Narmada, Harsha’s period remains a significant era in India’s medieval history, illustrating cultural integration and imperial aspirations.
Quotes by Harsha
“ As for myself, through my dependence on her affection, I suffer a variable state of feeling; for, on the one hand, this young man is the ornament of the race of Vidyádhara kings, is clever, approved by the good, unrivalled in beauty, endowed with valour, is wise and modest; but, on the other hand, he would readily give up his life, through pity, on behalf of any living creature. Thus, when yielding up my peerless sister to such an one, I feel both satisfaction and sorrow. I have heard that Jímútaváhana is in the sandal-creeper bower, adjoining the grove of Gaurí. ”
“ See here, rows upon rows of the crests of the slain Nágas, coated thick with oozing brains, splash as they fall from the jaws of the jackalls into the stream of carrion-smelling gore, while the scene is shrouded in awful darkness by the flapping wings of the vultures, their greed increased by the gobbets of raw flesh which fall mangled from their chattering beaks! Śankhachúda. How should I not see? This cemetery, which affords delight to Garuda, with a snake for his daily food, is like the body of Śiva, with its skulls and bones white as the moon. [9] Jímútaváhana. ”
