Herbert D. Kastle

Biographical details

Herbert D. Kastle The god on the 36th floor (1963)

Tzadi had said to the waiter, and the waiter's face had grown sad and he had moved away. As sad as Tzadi's face when he'd looked at Derrence in the hall a few minutes ago.
And the one was an animal. And man was an animal. And he was a man.
He shook his head and put his trembling hands together and said, "What is this? You're going to lose your job, granted. Is that any reason to lose your mind too? Tzadi and that waiter are religious nuts. They have a symbolism and language all their own.
Source: Gutenberg

Herbert D. Kastle The Outer Quiet

Before another rush of fear could churn his brain, the morning whistle sounded. Shrill, commanding, it began each day of aimless wandering—the silent stroll over pavement connecting the five buildings of what had once been Brooklyn's prize housing development; a constant walk which destroyed those Americans unable to show complete obedience and turned the others into slaves.
Source: Gutenberg

Herbert D. Kastle The Outer Quiet

The trainees stopped walking, then broke into frenzied movement and hoarse shouts. They pushed George and Adele aside in pursuit of the gray-uniformed figure running toward the gate. The third shot was inside the building, and then the crowd picked up the fleeing Conqueror. His screams died quickly.
Into the building the Americans poured—shaggy skeletons shrieking hatred. By the time George and Adele followed, men and women stood silently in the rooms and halls.
Source: Gutenberg

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