John Ironside

Biographical details

John Ironside,  The 'Phone Booth Mystery (1924)

“ Maddelena, still writing rapidly, almost mechanically, drew her breath with a little gasp of dismay, and Grace glanced at her with agonized eyes.
“What is she saying?” she whispered.
“S-sh—wait, it is not the end,” Maddelena whispered back hurriedly. It seemed a long time, though probably it was not more than a minute, before Giulia spoke again.
“The light comes once more, but it is a different light, and the air is full of the odour of flowers. Now I can see. It is a large, a beautiful room—larger than the maestro’s music-room. The hangings are green and the chairs of gold.
”
Source: Gutenberg

John Ironside,  The Red Symbol

“ It was impossible to adopt one part of his counsel—impossible to “forget that such a person as Anne Pendennis ever existed;” but I would only think of her as the girl I loved, the girl whom I would see in Berlin within a few days.
I wrote to her that night, saying nothing of the murder, but only that I was unexpectedly detained, and would send her a wire when I started, so that she would know when to expect me. Once face to face with her, I would tell her everything; and she would give me the key to the mystery that had tortured me so terribly.
”
Source: Gutenberg

John Ironside,  The Red Symbol

“ Their inhabitants looked more bestial than human,—huge, shaggy men who peered sullenly at us with swinish eyes, bleared and bloodshot with drunkenness; women with shapeless figures and blunt faces, stolid masks expressive only of dumb hopeless endurance of misery,—the abject misery that is the lot of the Russian peasant woman from birth to death. I was soon to learn that this centuries’ old habit of patient endurance was nearly at an end, and that when once the mask is thrown aside the fury of the women is more terrible, because more deliberate and merciless, than the brutality of the men. ”
Source: Gutenberg

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