Malcolm Cowley

Biographical details

Portrait of Malcolm Cowley Malcolm Cowley,  The Dial (1923)

“ Contemporary German Poetry is a volume in two parts, of which the second is devoted to this younger group.
War rages: a nation loses its young men, starves, goes down to a defeat which is the defeat not of a nation only, but of a civilization and a philosophy; out of the general indifference or debauch the surviving poets lift their voices in a chorus which is louder, more despondent and more hopeful than any imagined chorus, and vowed more fatally to remain discordant, unfulfilled, being the celebration of a fallacy.
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Source: Wikisource

Portrait of Malcolm Cowley Malcolm Cowley,  The Dial (1923)

“ The stage is too full of furniture and well-dressed people, most of whom are bores. A conversation dies in euphuisms. . . . Now Mr Sitwell grows excited. He leaps into the wings and drags out new properties: clowns, billboards, subways. The play continues. It has flashes of a new brilliance, but it is "talky and unreal"; in general it bears a surprising resemblance to the comedy of the Georgians. The audience yawns. There is too much scenery which, though freshly painted, remains painted scenery. The more it changes the more it stays the same. . . . A man is the stature of his enemies. ”
Source: Wikisource

Portrait of Malcolm Cowley Malcolm Cowley,  The Dial (1923)

“ The recipe for making expressionist poetry is not remarkably complicated. Instead of describing the infinite diversity of the exterior world it confines itself to the soul, and souls are uniform and simple. To express the inmost Self is the narrowest of all formulas. One feels when reading Menschheitsdämmerung, which is the work of two dozen poets, that the whole anthology could have been written by any one of them. ”
Source: Wikisource

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