Peter Damian

Biographical details

Portrait of Peter Damian Peter Damian The Glory of Paradise (1857)

Severely addicted, as I must be supposed to be, to versification of the stricter and more classical order, I must confess my sympathy with those who take extreme delight in the sacred Latin poetry of the Middle Ages, in which that language seems for the first time to have put forth its full power, and, in wholly discarding imitation, to have become inimitable itself.
Source: Wikisource

Portrait of Peter Damian Peter Damian The Glory of Paradise (1857)

Theologically such compositions are entirely unobjectionable; for the finest examples, like Damiani's Hymn, are as uniformly evangelical, and as purely scriptural, as the readers of the pious effusions of Watts, or Wesley, or John Newton, of which we are here so perpetually reminded, could themselves desire. They have little in common with the Church of Rome. They reflect none of her manifold corruptions; and she has done what she could to diminish their surpassing purity and power.
Source: Wikisource

Portrait of Peter Damian Peter Damian The Glory of Paradise (1857)

The composition is styled by the Benedictine editors of Augustine, in one place, a "Hymnus," in another, "Rhythmus." The Cardinal himself speaks of his "Rhythmici Versus;" so we may conclude "Hymnus Rhythmicus" to be the title the author would have himself approved. The distinction, however, between rhythm and verse, thus seemingly assumed, cannot be maintained as regards the Trochaic measure, which at no period of Latin literature submitted itself of necessity to the trammels of regular scansion, as it always did in the written poetry of the Greeks.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature