Sapper

Biographical details

Portrait of Sapper Sapper,  No Man's Land (1917)

“ We have all, thank Heavens! had the unforgettable pleasure of killing Huns at close quarters, with our own hands. Now that broadens one's horizon at once. We are not bounded by sandbags and stinks; when we are in the trenches, we know—our imagination tells us—that over the way are men whom we can visualise: living, actual beings whose ideal and object in life is to kill us. Not so, I regret to say, with a new draft: how can you expect it? To them the Hun is a strange something living in a trench, whom they never see, and whom they don't particularly want to. ”
Source: Wikisource

Portrait of Sapper Sapper,  No Man's Land (1917)

“ Then the next flare went up, and Reginald Simpkins got the shock of his life.
The green ghostly light came flooding in, and then went out as abruptly as it had come. But the moment was enough. Clear stamped on his brain, like a photographic exposure, was the image of two men. One lay at the bottom of the trench and grinned at the sky with his throat cut from ear to ear; the other—huddled in a corner with his hand still clutching a bomb—was even as he looked turning on his head and his knees, only to subside with a squelch in the mud, kick spasmodically, and lie still.
”
Source: Wikisource

Portrait of Sapper Sapper,  No Man's Land (Sapper) — Part I (1917)

“ It was perfectly true: the Gare de Lyon was shut to all civilians; the first shadow of war had come. As if drawn by a magnet the old men were there, the men who remembered the last time when the Prussian swine had stamped their way across the fields of France. Their eyes were bright, their shoulders thrown back as they glanced appraisingly at the next generation—their sons who would wipe out Sedan for ever from the pages of history. There was something grimly pathetic and grimly inspiring in the presence of those old soldiers: the men who had failed through no fault of their own. ”
Source: Wikisource

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