Sheila Kaye-Smith

Biographical details

Portrait of Sheila Kaye-Smith Sheila Kaye-Smith,  Joanna Godden

“ A queer feeling of sadness came to Joanna—queer, unaccountable, yet seeming to drain itself from the very depths of her body, and to belong not only to her flesh but to the marsh around her, to the pastures with their tawny veil of withered seed-grasses, to the thorn-bushes spotted with the red haws, to the sky and to the sea, and the mists in which they merged together....
"I'll get shut of Socknersh," she said to herself—"I believe folks are right, and he's too like a sheep himself to be any real use to them."
”
Source: Gutenberg

Portrait of Sheila Kaye-Smith Sheila Kaye-Smith,  The Three Furlongers

“ His happiness meant much to her. All her happiness now was vicarious—Quentin's, Leonard's or Nigel's. In her own heart were only flashes and sparks of it, that scorched as well as gladdened.
Life was a perplexity—life was pulling her two ways. She seemed to be hanging, a tortured, wind-swung thing, between earth and heaven, and she could hardly tell which hurt her most—her sudden falls down or her sudden snatchings up. Earth and heaven, brute and god, were always meeting now, clashing like two ill-tuned cymbals.
Her shame was that her love and Quentin's had not been strong enough to wait.
”
Source: Gutenberg

Portrait of Sheila Kaye-Smith Sheila Kaye-Smith,  Sussex Gorse: The Story of a Fight

“ Something almost like a sob shook Reuben. Then, ashamed of his weakness, he raised his head, and saw that behind Boarzell the night had lifted, and a cowslip paleness was creeping into the sky. The great dark hump of the Moor showed clearly against it with its tuft of firs. A faint thrill stole through Reuben's tired limbs. Boarzell was always there to be loved and fought for, even if he had no heart or arm but his own. Gradually hope stirred as the dawn crept among the clouds. The wind came rustling and whiffling to him over the heather, bringing him the rich damp smell of the earth he loved. ”
Source: Gutenberg

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