Sheila Kaye-Smith,
The end of the house of Alard
(1923)
“ By the time they were at Mullion, watching the low lamps of the stars hanging over the violet mists that veiled Poldhu, even Gervase seemed very far away, and the household and life of Conster Manor almost as if they had never been. Nothing was real but herself and Ben, alone together in the midst of life, each most completely the other’s desire and possession. When she looked into his eyes, full of their new joy and trouble, the husband’s eyes which held also the tenderness of the father and the simplicity of the child, there was no longer any past or future, but only the present—“I love.” ”
