Sheila Kaye-Smith

Sheila Kaye-Smith

Summary

Portrait of Sheila Kaye-Smith Sheila Kaye-Smith,  The Four Roads

“ It held not only the willow pond and the woman beside it, but the home where together they had eaten the bread and drunk the cup of common things. It was not perhaps a very lofty conception of fatherland—not even so high as Harry’s conception of a country saved by his plough. Tom’s country was only a little field-corner that held his wife and his home, but as he sat there under the stars, he felt in his vague, humble way, that it was a country a man would choose to fight for, and for which perhaps he would not be unwilling to die. ”
Source: Gutenberg

Portrait of Sheila Kaye-Smith Sheila Kaye-Smith,  The Four Roads

“ He was the first man she had been ever so little afraid of. Ivy had the least imagination of all the Beatups. That spark which sent Nell to the church, and Harry to the woods, which made Tom feel more than roots and clay in the earth on which he trod, and Zacky sometimes almost think himself a British army corps, even that little spark had never flickered up in Ivy’s honest heart. Her world was made of things she could taste and see and hear and smell and handle, and very good things she found them. ”
Source: Gutenberg

Portrait of Sheila Kaye-Smith Sheila Kaye-Smith,  The Four Roads

“ The picture became graven on Tom’s heart—the grey sky blooming with light and shedding it down on the field of the mounds and molehills, the pond, the willows, and the woman drowsing in his arms—so that when later in France he thought of England, he thought of it only as that willow-pond at the opening of Sunday Street, and Thyrza Honey lying heavy and warm and sweet against his breast.
“Hold me close, Tom, dearie—hold me close, so’s I doan’t hear the war. Aun’t it queer how our hearts beat louder than the guns!...”
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Source: Gutenberg

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