William Minto and Frederick John Snell

Biographical details

William Minto and Frederick John Snell 1911 Encyclopædia Britannica (1911)

Spenser had too strong a genius not to make his own individuality felt in any form that he attempted, and his buoyant dexterity in handling various schemes of verse must always afford delight to the connoisseur in such things. But a reader not already interested in Spenser, or not already familiar with the artificial eclogue, would find little to attract him in the Shepherd's Calendar. The poems need a special education; given this, they are felt to be full of charm and power, a fresh and vivid spring to the splendid summer of the Faery Queen.
Source: Wikisource

William Minto and Frederick John Snell 1911 Encyclopædia Britannica (1911)

In judging of the structure of the Faery Queen we must always remember that, long and diffuse as it is, what we have is but a fragment of the poet's design, and that the narrative is regulated by an allegorical purpose; but, however intricate, however confused, the reader may feel the succession of incidents to be, when he studies the succession of incidents, it is only at the call of duty that he is likely to occupy himself with such a study in reading Spenser.
Source: Wikisource

William Minto and Frederick John Snell 1911 Encyclopædia Britannica (1911)

It is almost to be regretted, as far as the allegory is concerned, that the friendly •" E. K." was not employed to furnish a " glosse " to the Faery Queen as he had done to the Shepherd's Calendar. Undoubtedly the peculiar " poetic luxury " of the Faery Queen can be enjoyed without any reference to the allegory; even Professor Dowden, the most eloquent champion of Spenser's claims as a "teacher," admits that it is a mistake to look for minute correspondence between outward , symbol and underlying sense, and that the poet is least enjoyable where he is most ingenious.
Source: Wikisource

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