Summary

1911 Encyclopædia Britannica, Volume 17… (1911)

Among all Massinger’s heroines Camiola is distinguished by genuine purity and heroism.
His plays have generally an obvious moral intention. He sets himself to work out a series of ethical problems through a succession of ingenious and effective plots. In the art of construction he has, indeed, few rivals. But the virtue of his heroes and heroines is rather morbid than natural, and often singularly divorced from common-sense.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 17… (1911)

The poet seems to have adhered closely to the politics of his patron, Philip Herbert, earl of Montgomery, and afterwards 4th earl of Pembroke, who had leanings to democracy and was a personal enemy of the duke of Buckingham. In The Bondman, dealing with the history of Timoleon, Buckingham is satirized as Gisco. The servility towards the Crown displayed in Beaumont and Fletcher’s plays reflected the temper of the court of James I. The attitude of Massinger’s heroes and heroines towards kings is very different.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 17… (1911)

The heroes are too good, and the villains too wicked to be quite convincing. Moreover their respective goodness and villainy are too often represented as extraneous to themselves. This defect of characterization shows that English drama had already begun to decline.
It seems doubtful whether Massinger was ever a popular playwright, for the best qualities of his plays would appeal rather to politicians and moralists than to the ordinary playgoer.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature