Summary

1911 Encyclopædia Britannica, Volume 6… (1911)

In 1706 Cibber left Drury Lane for the Haymarket, but when the two companies united two years later he rejoined his old theatre through the influence of his friend Colonel Brett, a shareholder. Brett made over his share to Wilks, Estcourt and Cibber. Complaints against the management of Christopher Rich led, in 1709, to the closing of the theatre by order of the crown, and William Collier obtained the patent. After a series of intrigues Collier was bought out by Wilks, Doggett and Cibber, under whose management Drury Lane became more prosperous than it ever had been.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 6… (1911)

In 1753 he began The Lives and Characters of the most Eminent Actors and Actresses of Great Britain and Ireland, but he went no further than the life of Barton Booth. He wrote some plays of no great merit. In 1753 appeared An Account of the Lives of the Poets of Great Britain and Ireland, with the name of “Mr Cibber” on the title page. The five volumes of Lives are chiefly based on the earlier works of Gerard Langbaine and Giles Jacob, and the MS. collections of Thomas Coxeter (1689–1747) .
Source: Wikisource

1911 Encyclopædia Britannica, Volume 6… (1911)

Colley Cibber’s son, Theophilus Cibber (1703–1758) , also an actor and playwright, was born on the 26th of November 1703. In 1734 he was acting-manager at the Haymarket, and he subsequently played at Drury Lane, Lincoln’s Inn Fields and Covent Garden. His best impersonation was as Pistol, but he also distinguished himself in some of the fine-gentleman parts affected by his father. He was one of the ringleaders in the intrigues against John Highmore, who had bought a share in the patent of Drury Lane from Colley Cibber.
Source: Wikisource

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