Summary

1911 Encyclopædia Britannica, Volume 6… (1911)

“ As compared with farce it abstains from crude and boisterous jesting, and is marked by some subtlety of dialogue and plot. It is, however, difficult to draw a hard and fast line of demarcation, there being a distinct tendency to combine the characteristics of farce with those of true comedy. This is perhaps more especially the case in the so-called “musical comedy,” which became popular in Great Britain and America in the later 19th century, where true comedy is frequently subservient to broad farce and spectacular effects. ”
Source: Wikisource

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