Summary

1911 Encyclopædia Britannica, Volume 6… (1911)

As compared with farce it abstains from crude and boisterous jesting, and is marked by some subtlety of dialogue and plot. It is, however, difficult to draw a hard and fast line of demarcation, there being a distinct tendency to combine the characteristics of farce with those of true comedy. This is perhaps more especially the case in the so-called “musical comedy,” which became popular in Great Britain and America in the later 19th century, where true comedy is frequently subservient to broad farce and spectacular effects.
Source: Wikisource

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