Summary

1911 Encyclopædia Britannica, Volume 7… (1911)

It is obvious that opportunity has dominated its history, for the art of cookery is to some extent the product of an increased refinement of taste, consequent on culture and increase of wealth. To this extent it is a decadent art, ministering to the luxury of man, and to his progressive inclination to be pampered and have his appetite tickled.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 7… (1911)

The luxuries of the Chinese are, in their way, a survival of long ages of a cookery which to western civilization is grotesque. Even if it is an historic impertinence, it is impossible for the countries of western civilization to regard the fine flower of their own evolution as other than the highest pitch of progress. Autres temps, autres mœurs. To the Chinaman French cooking may possibly be as grotesque as to an Englishman the Chinaman’s hundred-year-old buried egg, black and tasteless.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 7… (1911)

Man, says a French writer, was born a roaster, and “pour être cuisinier, il a besoin de le devenir.” The ancients were great eaters, but strangers to the subtler refinements of the palate. The gods were supposed to love the smell of fried meat, while their nectar and ambrosia represented an ideal, which, though preserved as a phrase, would hardly satisfy a modern epicure. The ancients were poorly provided with pots and pans, except of a simple order, or with the appurtenances of a kitchen, and they were sadly to seek in the requisites of a modern table.
Source: Wikisource

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