Summary

Portrait of A. E. W. Mason A. E. W. Mason The Four Feathers — XX: West and East (1902)

The man on the angareb was the Emir.
"You are a spy of the Government from Wadi Halfa," he said.
"No, I am a musician," returned the prisoner, and he laughed happily, like a man that has made a jest.
Nejoumi made a sign, and an instrument with many broken strings was handed to the captive. Feversham seated himself upon the ground, and with slow, fumbling fingers, breathing hard as he bent over the zither, he began to elicit a wavering melody. It was the melody to which Durrance had listened in the street of Tewfikieh on the eve of his last journey into the desert
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Four Feathers — XX: West and East (1902)

They poured water upon the palm-rope which bound his wrists, so that the thongs swelled and bit into his flesh.
"Speak, Kaffir. You carry promises to Kordofan."
Feversham was silent. He clung doggedly to the plan over which he had so long and so carefully pondered. He could not improve upon it, he was sure, by any alteration suggested by fear, at a moment when he could not think clearly. A rope was flung about his neck, and he was pushed and driven beneath the gallows.
"Speak, Kaffir," said Nejoumi; "so shall you escape death."
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Four Feathers — XX: West and East (1902)

Westward from Suakin stretched the desert, with all that it meant to this man whom it had smitten and cast out—the quiet padding of the camels' feet in sand; the great rock-cones rising sheer and abrupt as from a rippleless ocean, towards which you march all day and get no nearer; the gorgeous momentary blaze of sunset colours in the west; the rustle of the wind through the short twilight when the west is a pure pale green and the east the darkest blue
Source: Wikisource

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