Summary

A. J. O'Reilly Alvira: The Heroine of Vesuvius

The iron pedestal of passion's throne was not yet shivered in the heart of Alvira, nor were tears a sign that the sun of grace had pierced the crystal vase of the worldly heart. Great will be the grace that will draw Alvira from the zenith of a golden dream in which a triumphant ambition has placed her above her sex, and great amongst the heroes of the manly sex she feigned. Her conversion will be a miracle—a miracle of sweet violence, such as drew the Magdalens, the Augustines, and the Cortonas from the trammels of vice to the holy and happy path of repentance.
Source: Gutenberg

A. J. O'Reilly Alvira: The Heroine of Vesuvius

The spirit of Madeleine had made the sacrifice of her son, but the rude hand of nature swept the fibres of her heart and tore them asunder.
Night has gathered around the house of Cassier. Sleep has brought the silence of the tomb on the inmates. One alone is awake; gentle sobs tell of a heart struggling with its own desires, but a faint ray of moonlight shows him seeking strength on his knees before a crucifix.
Guide him, ye angels, in the sublime destiny to which Heaven calls! Treasure up those tears of affection; they are pearls for a crown in eternity!
Source: Gutenberg

A. J. O'Reilly Alvira: The Heroine of Vesuvius

Henry, commencing to love solitude, strays from her father and Charles to gather ferns and wild flowers creeping from the crevices of the rocks, or rising with exquisite beauty from a layer of snow. They are emblems of her own innocence and fragrant as her virtue, growing in the wilderness and shedding their charms on rocks and snow-peaks, instead of ornamenting gardens of culture and beauty. Poor Aloysia would be more at home in some arbor of innocence where angels love to tarry, and where the voice and gaze of the worldly-minded have never fallen.
Source: Gutenberg

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