A. Maud Moreland

Summary

A. Maud Moreland Through South Westland (1916)

There was no crossing it without a horse. Great blocks of ice had fallen that day, shooting right across it, and some lay in the stream obstructing its passage. We could only gaze up at the glacier-foot—a cold, wet air smote our faces, the clouds hung low to the mountains, only glimpses to be caught of bare snow-slopes and mountain walls. All was dismal—“horrid,” as Evelyn would have said—shrouded in mist. Yet, on the other hand, the valley was still clothed with many kinds of plants, and tree-veronicas and ratas flowered alongside the ice.
Source: Wikisource

A. Maud Moreland Through South Westland (1916)

Whether it be of the great rivers hurrying to the sea, or the white cascades or streams rippling fetlock-deep across the track, that voice of many glasses of water is always in one’s ears. There are times when the fierceness of the rivers fills one with a sense of impotence. A wide river-bed strewn with tree trunks and enormous boulders when the flood comes down—and they chafe and roll in wild turmoil—is an awesome enough sort of place. And the more you have to do with New Zealand rivers, the stronger becomes the awe in which you hold them.
Source: Wikisource

A. Maud Moreland Through South Westland (1916)

The dark mountains rising purple to the snow, peak beyond peak of the Southern Alps soaring white against that wondrous blue—so close they seem, so attainable—it is hard to realize they are 10,000 feet above us. And between two mountain walls, filling a mighty gorge, winds down the Franz Josef glacier; an icy chaos of pinnacles and seracs, green-blue and glittering white against the purple-black crags of the gorge. But strangest of all is where the glacier and the forest meet, and the splendid scarlet of the ratas seems almost to touch the ice and snow.
Source: Wikisource

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