Abbie Farwell Brown

Abbie Farwell Brown

Summary

Portrait of Abbie Farwell Brown Abbie Farwell Brown Surprise house (1917)

On the mantel above the fireplace was a bust of Shakespeare and some smaller ornaments, with an old tin lantern. Above the Shakespeare hung a portrait of a lady with gray curls, in an old-fashioned dress, holding a book in her hand. The other hand was laid upon her breast with the forefinger extended as if pointing.
“Hello!” said Dr. Corliss when he spied the portrait, “this is Aunt Nan herself as she looked when I last saw her; and a very good likeness it is.”
“She looks like a witch!” said John. “See what funny eyes she has!”
Source: Gutenberg

Portrait of Abbie Farwell Brown Abbie Farwell Brown Surprise house (1917)

There was Cleopatra, in a wonderful red sateen robe hauled out of one of the old chests; and Shylock, with a long beard hanging over a purple dressing-gown of the Early-Victorian period. There was Julius Cæsar in a Roman toga made from some of Aunt Nan’s discarded window-curtains, and Rosalind looking lovely in a blue bathing-suit and tam o’ shanter.
There were also a number of little Grammar-School fairies in mosquito-netting robes, and many other citizens of places earthly and unearthly, who seemed to have wandered out of the books in Mary’s library.
Source: Gutenberg

Portrait of Abbie Farwell Brown Abbie Farwell Brown Surprise house (1917)

Nobody wanted to go home, of course. But in time, mere ordinary fathers and mothers and big sisters and big brothers, in ugly, common clothes, came and dragged away the Shakespeare people, one by one. When they had all, as Prospero said, “melted into air, into thin air,” when even Titania had waved her wand and disappeared with a kiss on Ariel’s cheek, this happy Spirit and Prospero and the Witch, Puck and Caliban, were left alone in front of the library fireplace.
Source: Gutenberg

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