Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Remittance-Woman — Chapter 3 (1924)

She went down-stairs and entered the private office of Monsieur Paul Pailloux, the manager, a pudgy Parisian exile who carried his black beard ahead of him like a battering-ram and who bowed before her with opulent superciliousness.
“Ah—Miss Campbell!” he said. “That bill—it was a mistake——”
“It isn’t about the bill.”
“No? Then—what can I do for you?”
“You can send for the police.”
“Police? Ah—your delicious American sense of humor——”
“Cut it out! There’s nothing humorous in murder!”
“Murder? Ah—nom de Dieu! Murder?”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Remittance-Woman — Chapter 3 (1924)

And, followed by De Smett, Pailloux led the way to her suite.
“Look!” he said, as they entered.
Marie looked, looked again, doubting, for a moment, her sanity. No body was there, no blood spots, no signs of struggle, of murder. She went into her bedroom and glanced at the dressing-table. The jewel-box was in its old place, unopened.
No doubt, she said to herself, the manager himself, with the help of the detective and most likely other employees, had utilized the half-hour she spent in the office to remove the body and all traces of the tragedy and straighten the rooms.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Remittance-Woman — Chapter 3 (1924)

The person who accuses you——”
“Who is that person?”
“You will be told at the police station—in jail!” cried the detective roughly.
“Oh—jail, is it?”
“Please,” said Pailloux, “do not force me to go that far. Give up the vase——”
“I haven’t got it!”
“You will be searched at the station—and if they find the vase——”
“Miss Campbell,” cut in the detective, “I want to warn you that everything you say——”
“Will be used against me?” She laughed. “How gorgeously like home, sweet home! America—ah—that reminds me—I want you to notify the American consul at once, Monsieur Pailloux.”
Source: Wikisource

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