Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Remittance-Woman — Chapter 4 (1924)

Only once was the silence interrupted, savagely, by a scream, then an outburst of elaborate quarter-deck profanity. She was walking up and down at the time. When she heard the noise, she stopped near the door and looked out, while the babu, who had turned to see whence the row came, had his back to her. Across the corridor, not very far away, she saw another room with the door open, and inside, being cross-examined by two bullying Chinese officials, the Liverpool sailor who had befriended her in the court-room.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Remittance-Woman — Chapter 4 (1924)

He dropped his voice to a whisper. “What did you do with the vase?”
“I refuse to answer. You have no right to——”
“Right be blowed! Might—that’s what counts; didn’t I tell you? Going to own up?”
“No!” Her eyes gleamed. “And I——”
The judge interrupted her.
“Remove the prisoner!” he shouted, and a Chinese orderly rushed up.
“Remove the prisoner—nothing!” she cried, now thoroughly roused. “I don’t know what your laws are here, and I don’t care! But”—and suddenly all her great, latent nationalism blazed up into white-hot heat—“I am an American. I insist on my rights!
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Remittance-Woman — Chapter 4 (1924)

I tell you again I am an American!”
“Very interesting, I am sure,” commented the judge, with a wink in the direction of Pailloux. “But what I say goes.” He turned to the orderly. “Remove the prisoner!”
Marie again faced the judge. This time she was speaking very quietly.
“You are an Englishman?”
“What about it?”
“Do you call this British fair play? And you”—turning to Pailloux—“you call yourself a Frenchman! Bah!” She snapped her fingers derisively. “You are renegades—both of you!”
Source: Wikisource

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