Ada Woodruff Anderson

Summary

Ada Woodruff Anderson The Rim of the Desert

Morganstein's yacht, I've watched the changing Alpine glow on the mountain. I always draw my south curtains first, at Vivian Court, to see whether the dome is clear or promises a wet day. I've learned a mountain, surely as a person, has individuality; every cloud effect is to me a different mood, and sometimes, when I've been most unhappy or hard-pressed, the sight of Rainier rising so serene, so pure, so high above the fretting clouds, has given me new courage. Can you understand that, Mr. Tisdale? How a mountain can become an influence, an inspiration, in a life?
Source: Gutenberg

Ada Woodruff Anderson The Rim of the Desert

Tisdale picked up his bag and went out to the observation platform. He knew that to attempt to follow the railroad through those swaths the avalanches had left, under the burned skeletons of trees ready to topple at the first pressure of other bodies of snow, was to take one's life needlessly in his hands; but there was another way. The slope from the track at the portal dipped through a park of hemlock and fir, and the blaze that had swept the lower mountainside had not reached this timber; the great boughs, like fishers' nets, supported their dripping accumulations.
Source: Gutenberg

Ada Woodruff Anderson The Rim of the Desert

It was hardly four o'clock that Christmas eve when the Aquila arrived with the guests from Seattle, but the villa lights were on. A huge and resinous backlog, sending broad tongues of flame into the cavernous throat of the fireplace, gave to the illumination a ruddier, flickering glow. To Foster, who was the first to reach the veranda, Foster who had been so long accustomed to faring at Alaska road-houses, to making his own camp, on occasion, with a single helper in the frosty solitudes, that view through the French window must have seemed like a scene from the Arabian Nights.
Source: Gutenberg

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