Agatha Christie

Agatha Christie

Summary

Portrait of Agatha Christie Agatha Christie The Lonely God

Why should they? He was so insignificant, a block of grey stone in a comer. On either side of him were two Mexican gods worn smooth with age, placid idols with folded hands, and cruel mouths curved in a smile that showed openly their contempt of humanity. There was also a rotund, violently self-assertive little god, with a clenched fist, who evidently suffered from a swollen sense of his own importance, but passersby stopped to give him a glance sometimes, even if it was only to laugh at the contrast of his absurd pomposity with the smiling indifference of his Mexican companions.
Source: Wikisource

Portrait of Agatha Christie Agatha Christie The Lonely God

She let the words slip out with icy frigidity, and coldly ignored the end part of his sentence.
"Look here!" He stood confronting her with pleading eyes that reminded her irresistibly of a large, faithful dog. "Won't you be friends? I'm all alone in London—all alone in the world, and I believe you are, too. We ought to be friends. Besides, our little god has introduced us."
Source: Wikisource

Portrait of Agatha Christie Agatha Christie The Lonely God

It was Ascot Cup Day, and the policeman on duty in a certain section of the British Museum rubbed his eyes and wondered if he were dreaming, for one does not expect to see there an Ascot vision, in a lace frock and a marvelous hat, a veritable nymph as imagined by a Parisian genius. The policeman stared in rapturous admiration.
The lonely god was not perhaps so surprised. He may have been in his way a powerful little god; at any rate, here was one worshipper brought back to the fold.
Source: Wikisource

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