Alexander Charles Ewald

Summary

Alexander Charles Ewald Dictionary of National Biography… (1887)

As the prince passed through Florence, Sir Horace Mann drew his portrait and sent it to the Duke of Newcastle: 'The young man is above the middle height and very thin, he wears a light bag wig; his face is rather long, the complexion clear, but borders on paleness; the forehead very broad, the eyes fairly large—blue but without sparkle; the mouth large, with the lips slightly curled, and the chin more sharp than rounded.' On the arrival of the prince in France war had not as yet broken out between England and France, but the remonstrances of the English cabinet led to a speedy rupture.
Source: Wikisource

Alexander Charles Ewald Dictionary of National Biography… (1885)

After a wretched union of some eight years, the countess resolved upon following the lax examples of Tuscan morality with which she was surrounded. Her marriage with the prince had resulted in no issue, and she was bent upon severing the tie which bound her to a man now altogether vile. After accepting for a brief period the shelter of a convent, she eloped with Vittorio Alfieri, the poet, to whom she had long been attached, and openly lived with him as his mistress.
Source: Wikisource

Alexander Charles Ewald Dictionary of National Biography… (1885)

Upon the death of Prince Charles no change was made in the relations between the guilty couple. Whether the countess declined to abdicate her empty pretensions to royalty, or Alfieri preferred remaining the lover of a queen, certain it is that the alliance was never consecrated by marriage. The illicit union was, however, socially recognised. In every capital visited by the Countess of Albany and Alfieri they were always received in the best society. At Paris the countess assumed a royal state, had a throne in her salon and the royal arms on her plate.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature