Giovanni Battista Alfieri

“ With such a woman, Alfieri, accepted as an intimate by the husband, who doubtless thought one hare-brained poet more easy to manage than two or three fashionable gallants—with such a woman as this, Alfieri might talk over plans of self-culture and work, his plays, his essays on liberty and literature, and all the things by which he intended to redeem Italy and make himself immortal, without any fear of his listener ever growing weary; from her he could receive that passionate sympathy and encouragement without which life and work were impossible to him. ”

“ Alfieri, in the intervening years, was grown to be one of the foremost figures in Italy. His love for the Countess of Albany, persisting through the vicissitudes of her tragic marriage, had rallied the scattered forces of his nature. Ambitious to excel for her sake, to show himself worthy of such a love, he had at last shaken off the strange torpor of his youth, and revealed himself as the poet for whom Italy waited. In ten months of feverish effort he had poured forth fourteen tragedies--among them the Antigone, the Virginia, and the Conjuration of the Pazzi. ”

“ The passion for political liberty, the abhorrence of any kind of despotism, however glorious or however paternal, had grown in Alfieri with every journey he had made through France, Spain, Germany, Russia—with every sojourn in England; it had grown with every page of Livy and Tacitus, with every line of Dante and Petrarch which he had read; it had grown with every word that he himself had written. He had determined to be the poet who should make men ashamed of being slaves and ashamed of being tyrants. ”

“ A ridiculous man! Not so. I have spoken many hard words against Alfieri; and I repeat that he seems to me to have often fallen short, betrayed by his century, his vanity, his narrowness and hardness of temper, even of the ideal which he had set up for himself. But I would not have it supposed that I do not see the greatness of that ideal, and the nobleness of the reality out of which it arose. ”

“ Italy lacked a tragic literature worthy of the name. Alfieri created it. Having settled at Florence in 1778, he contracted there an intimacy with Louisa von Stolberg-Gedern, Countess of Albany, the wife of Charles Edward Stuart, the Pretender. In 1792, when debauchery had brought the latter to his grave, the Countess began to share the poet's home. The criticisms of society were ignored and the lovers lived unwedded to the end. The poet's religious feelings, however, always appeared strong and sincere. ”

“ Nor during those years of youthful wanderings, does he ever seem, except upon one memorable occasion, to have been made to suffer from the unconscientiousness, the harshness, the infidelity, the indifference of the men and women whom he met, any more than in his boyhood he had suffered from the severity of his masters, the brutality of his tutor-servants, or the ill-nature of his fellow pupils. Fate and the world were extremely kind to Vittorio Alfieri: giving him every advantage and comfort, and teaching him no cruel lessons. ”

“ At this time Alfieri was in the very prime of his splendid manhood, one of the handsomest and most fascinating men in all Europe. Some four years older than herself, he was a tall, stalwart, soldierly man, blue-eyed and auburn-haired, an aristocrat to his finger-tips, a daring horseman, a poet, and a man of rare culture—just the man to set any woman's heart a-flutter, as he had already done in most of the capitals of the Continent. ”

“ As he grew old, Alfieri seems to have lost that power, nay that irresistible desire, of speaking the truth and the whole truth which made him record with burning shame the caress of Pius VI. Perhaps, on the other hand, Alfieri, who, after all, was but a sorry mixture of an ancient Roman and a man of the eighteenth century, thought that a certain amount of baseness and dirt-eating, quite degrading in a man, might be permitted to a woman, even to the lady of his thoughts. ”

“ Alfieri was, in the sense of certain ancients, a hard-hearted man, indifferent, blind and deaf to suffering. That a man of education and mind, a gentleman, should have to sweep the ground with his hat on the passage of another man, because that other happened to wear a ribbon and a star; that he should be liable to exile, to imprisonment, for a truthful statement of his opinion: these were to Alfieri the insupportable things of tyranny. ”

“ But, like a man bound in all his limbs, and who at length has slipped the cord from off one hand, there still remained to Alfieri an infinite amount of struggle, of bitter effort, of hopeless inaction, before he could completely liberate himself from the bonds of sloth, of worldly vanity, dissipation, and unworthy love, before he could step forth and walk steadily along the new road which had appeared to him. ”

“ To those hopeful spirits who looked for the near approach of a happier era, Alfieri was the inspired spokesman of reform, the heaven-sent prophet who was to lead his country out of bondage. The eyes of the Italian reformers were fixed with passionate eagerness on the course of events in England and France. The conclusion of peace between England and America, recently celebrated in Alfieri's fifth Ode, seemed to the most sceptical convincing proof that the rights of man were destined to a speedy triumph throughout the civilised world. It was not of a united Italy that these enthusiasts dreamed. ”

“ But Alfieri, once awakened out of that strange long torpor of his youth, was able to put forth as active and invincible forces all that extraordinary obstinacy, that morose doggedness, that indifference to comfort and pleasure, that brutal violence which had more than once, in their negative condition, made him seem more like some wild animal or half-savage monomaniac than an ordinary young man under five-and-twenty. ”

“ A poet especially in his conception of his own personality, an artist who manipulated his own nature, a poseur whose pose was his concentrated self cleared of all things which recalled the vulgar herd; moreover, a furiously literary temper with a mad devotion to Dante and Petrarch: Alfieri must have found in this love, which fate in the Pretender's person ordained to be platonic, the crowning characteristic of his present personality, the almost miraculous confirmation of his mystic relationship to the lover of Beatrice and the lover of Laura. ”

“ Man subsists upon love; love makes him a god: for I call God an intensely felt love, and I call dogs, or French, which comes to the same, the frozen philosophisers who are moved only by the fact that two and two make four."
Alfieri's secret desire that he might not survive his beloved was fulfilled sooner, perhaps, than he expected. The eccentric figure, the tall, gaunt man, thin and pale as a ghost, with flying red hair and flying scarlet cloak, driving the well-known phaeton, or sauntering moodily along the Lung Arno and through the Boboli gardens, was soon to be seen no more. ”

“ Alfieri replied with a contemptuous gesture. "Your Highness, our leading tragedians are monkeys trained to dance to the tune of Goldoni and Metastasio. The best are no better than the worst. We have no tragedians in Italy because—hitherto—we have had no tragic dramatist." He drew himself up and thrust a hand in his bosom. "Ah!" he exclaimed, "if I could see the part of Virginia acted by the lady who recently recited, before a small company in Milan, my Odes to Free America! There indeed were fire, sublimity and passion! And the countenance had not lost its freshness, the eye its lustre. ”

“ But all this was very lukewarm sympathy; and except from his two great friends, Francesco Gori and Tommaso di Caluso, a difficult-tempered man like Alfieri could receive only lukewarmness. Now what he required was sympathy, admiration, adoration, of the most burning description. This was possible, towards such a man, only from a woman. But where find the woman who could give it, among the convent-educated, early corrupted, frivolous ladies of Italy, to whom love-making was the highest interest in life, but an interest only a trifle higher than card-playing, dancing, or dressing? ”

“ Born in Asti, near Turin, of a noble family, after a youth spent in idleness, ignorance, and selfish pleasure, he "found himself," at the age of twenty-six, and being fired with ambition to become a poet, he began a long period of self-education, in which he made especial effort to master the Italian language, which he, born in Piedmont, and long absent abroad, only half understood. The rest of his life was spent in this study and in writing his dramas.
In his reform of the Italian drama, Alfieri did not, like Manzoni later, try to introduce Shakesperean [Pg 343] methods. ”

“ The cavaliere Giacinto was handsome and amiable; the couple grew old together in happiness; and the lady, as she advanced in {Pg 250} years, gained the love and respect of all by her piety and works of charity and kindness.
On the marriage of his mother, Vittorio and his sister went to live in their father-in-law's house, who proved himself a kind parent to the orphans. Although his health was not robust, Alfieri's childhood was little interrupted by sickness; and his first grief was experienced at the age of seven, when his sister Julia was sent to a convent for her education. ”

“ There may also have been something very reassuring to Alfieri's apprehensions in the knowledge that he would be dealing, not with an Italian woman, accustomed and almost socially obliged to hold a man in the degrading bonds of cicisbeism, but with a foreigner, the jealously-guarded wife of a sort of legendary ogre, with whom, however much the old fury of love might awaken in him, there could by no possibility be anything beyond the most strictly watched friendship. ”

“ Like Foscolo's, Alfieri's life was a lesson in independence: angry at the scant measure of freedom in Piedmont, he could never be induced to go near his sovereign till Charles Emmanuel was staying at Florence as a proscript. ”

“ Having said this, we have told the good and evil of Alfieri. He desired a political reform by means of letters; he saved literature from Arcadian vacuities, leading it towards a national end; he armed himself with patriotism and classicism in order to drive the profaners out of the temple of art. But in substance he was rather a patriot than an artist. ”

“ The childhood and early youth of Vittorio Alfieri had been strangely vacant, dreary, one might almost say intellectually and morally sordid; and the strangest, the dreariest circumstance about them was exactly that this vacuity, this dreariness, this total want of all that can make the life of a boy and of a young man pleasant to our fancy or attractive to our sympathy, did not in the least depend upon any harshness or stinginess of fate. Indeed, perhaps, no man had ever prepared for him an easier existence ”

“ Of this Pope Pius VI. did Alfieri crave an audience, and to him did he offer the dedication of one of his plays; nay, the man who had sacrificed his fortune in order to free himself from the comparatively clean-handed despotism of Sardinia, who had stubbornly refused to be presented to Frederick the Great and Catherine II., who had declined making Metastasio's acquaintance on account of a too deferential bow which he had seen the old poet make to Maria Theresa ”

“ He felt that he ought to remain in Florence, that he ought not to follow her to Rome. But Florence had become insufferable to him; and he determined to remove to Naples, because to get to Naples it was necessary to pass through Rome. The melancholy barren approach to the Eternal City, which, three years before, had inspired Alfieri with nothing but melancholy and disgust, now seemed to him a sort of earthly paradise; and Rome, which he hated, as the most delightful of places. He hurried to the Ursuline convent, and was admitted to speak to the Countess of Albany. ”

“ Scrape succeeds to scrape, adventure to adventure. Knowledge of the world, and some book learning also, flow in upon the boy, and are eagerly caught up by him and heterogeneously amalgamated in his mind. Alfieri learned nothing, wrote nothing, in his youth, and heard his parents say—'A nobleman need never strive to be a doctor of the faculties.' Goldoni had a little medicine and much law thrust upon him. ”

“ The education given at the Academy of Turin may, indeed, have been poor in quantity and quality; still it was the best which a young Piedmontese nobleman could obtain, and Alfieri himself confesses that of his school-fellows most came away with more profit, and some afterwards became cultured and even learned men. ”

“ It is remarkable indeed that a Piedmontese, who had to teach himself classical Italian with infinite labour, and whose character possessed few distinctively national traits, should have been the reviver of the national spirit in Italy. This Alfieri unquestionably was. He had what is so deplorably wanting among the gifted men of the golden age of Italian literature, a passion for freedom and a hatred of tyranny, which impart to his works, however remote in subject from modern times, the air of indignant protests against the subjection and degradation of his country. ”

“ Count Vittorio Alfieri, a celebrated Italian dramatist, was born at Asti in Piedmont, January 17, 1749, and died at Florence, October 8, 1803. Among his many works may be mentioned: “Cleopatra,” “Polinice,” “Antigone,” “Agide,” “Bruto,” “Saul,” “Filippo,” etc. He also wrote: “Tyranny,” “Essays on Literature and Government,” odes on “American Independence,” and “Memoirs of His Life.”
A good writer does not write as people write, but as he writes. ”