Summary

Portrait of Vernon Lee Vernon Lee The Countess of Albany

Louise d'Albany, careless, like most women of her day, of social institutions, and particularly hostile to marriage, was certainly not an impure woman; her whole life goes to prove this. But Louise d'Albany was an indifferent woman, and the extinction of all youthful passion and enthusiasm, the friction of a cynical world, made her daily more indifferent. She had been faithful to Alfieri, devotedly enduring one of the most unendurable of companions, loving and admiring him while he was still alive.
Source: Gutenberg

Portrait of Vernon Lee Vernon Lee The Countess of Albany

To an imaginative mind, loving in things rather the ideal than the reality, striving for ever after some poetical or heroic model of love and of life, trying to be at once a patriot out of Plutarch and a lover after the fashion of the Vita Nuova, there are few trials more exasperating than to have to see the real creature who for the moment embodies one's ideal, the creature whom one carefully garlands with flowers and hangs round with lamps, raised above all vulgar things in the niche in one's imagination, elbowed by brutish reality, bespattered with ignoble miseries.
Source: Gutenberg

Portrait of Vernon Lee Vernon Lee The Countess of Albany

With such a woman, Alfieri, accepted as an intimate by the husband, who doubtless thought one hare-brained poet more easy to manage than two or three fashionable gallants—with such a woman as this, Alfieri might talk over plans of self-culture and work, his plays, his essays on liberty and literature, and all the things by which he intended to redeem Italy and make himself immortal, without any fear of his listener ever growing weary; from her he could receive that passionate sympathy and encouragement without which life and work were impossible to him.
Source: Gutenberg

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