Thomas Mann

Definition and stakes

The German Classics of the Nineteenth and Twentieth Centuries

“ In his elder brother Heinrich Mann, perhaps a more ingenious, but a less finished writer, of the nervous, ardently passionate, impressionistic sort, the exotic heritage has tended to predominate; in Thomas Mann the correctness of the austere Hanseatic city and her old traditions seems to be the strongest element. Because he cannot escape the exasperating incompatibility between citizen and artist, between the instinct for conformity and the will to be different, he fights this battle again and again, and bitter meditation upon it has given him the themes of his principal works. ”
Source: Gutenberg

Portrait of Thomas Mann Thomas Mann,  Royal Highness (1916)

“ Behind the glass and gilded window-frames sat Imma Spoelmann in veil and wreath, with an old Court lady as lady of honour at her side. Her dress of shimmering silk glittered like snow in the sunshine, and on her lap she held the white bouquet which Prince Klaus Heinrich had sent her an hour before. Her strangely childlike face was as pale as an ocean-pearl, and a smooth wisp of dark hair fell across her forehead under the veil, while her big black eyes threw glances of pleading eloquence over the close-packed throng. ”
Source: Wikisource

The German Classics of the Nineteenth and Twentieth Centuries

“ Thomas Mann resembles his hero in being comparatively unproductive; but it should be added at once that no one of his works fails to exhibit the utmost of artistic finish. Unrelaxing attention and indefatigable effort to attain artistic form are the heritage of his North German descent, of which he perhaps became fully conscious in South Germany, in the city of more easy-going habits of life. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature