Summary

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book IV, Chapter 3 (1901)

To such dreamers--whose ideas were those of the majority of intelligent men in France and Italy--Alfieri's high-sounding tirades embodied the noblest of political creeds; and even the soberer judgment of statesmen and men of affairs was captivated by the grandeur of his verse and the heroic audacity of his theme. For the first time in centuries the Italian Muse spoke with the voice of a man; and every man's heart in Italy sprang up at the call.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book IV, Chapter 3 (1901)

Alfieri, in the intervening years, was grown to be one of the foremost figures in Italy. His love for the Countess of Albany, persisting through the vicissitudes of her tragic marriage, had rallied the scattered forces of his nature. Ambitious to excel for her sake, to show himself worthy of such a love, he had at last shaken off the strange torpor of his youth, and revealed himself as the poet for whom Italy waited. In ten months of feverish effort he had poured forth fourteen tragedies--among them the Antigone, the Virginia, and the Conjuration of the Pazzi.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book IV, Chapter 3 (1901)

Alfieri was not the man to be struck by such incongruities. It was his fate to formulate creeds in which he had no faith: to recreate the political ideals of Italy while bitterly opposed to any actual effort at reform, and to be regarded as the mouthpiece of the Revolution while he execrated the Revolution with the whole force of his traditional instincts. As usual he was too deeply engrossed in his own affairs to feel much interest in any others; but it was enough for Odo to clasp the hand of the man who had given a voice to the highest aspirations of his countrymen.
Source: Wikisource

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