Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  Robert Browning — Chapter IV (1903)

“ Italy to Browning and his wife was not by any means merely that sculptured and ornate sepulchre that it is to so many of those cultivated English men and women who live in Italy and enjoy and admire and despise it. To them it was a living nation, the type and centre of the religion and politics of a continent; the ancient and flaming heart of Western history, the very Europe of Europe. And they lived at the time of the most moving and gigantic of all dramas--the making of a new nation, one of the things that makes men feel that they are still in the morning of the earth. ”
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  Robert Browning — Chapter IV (1903)

“ These Browning poems do not merely deal with painting; they smell of paint. They are the works of a man to whom art is not what it is to so many of the non-professional lovers of art, a thing accomplished, a valley of bones: to him it is a field of crops continually growing in a busy and exciting silence. Browning was interested, like some scientific man, in the obstetrics of art. There is a large army of educated men who can talk art with artists; but Browning could not merely talk art with artists--he could talk shop with them. ”
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  Robert Browning — Chapter IV (1903)

“ But there are, when all is said and done, some things which a fifth-rate painter knows which a first-rate art critic does not know; there are some things which a sixth-rate organist knows which a first-rate judge of music does not know. And these were the things that Browning knew.
He was, in other words, what is called an amateur. The word amateur has come by the thousand oddities of language to convey an idea of tepidity; whereas the word itself has the meaning of passion.
”
Source: Wikisource

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