Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  Robert Browning — Chapter V (1903)

“ But Browning would not for one instant take the scorn of them out of his voice. "Death, death, it is this harping on death that I despise so much. In fiction, in poetry, French as well as English, and I am told in American also, in art and literature, the shadow of death, call it what you will, despair, negation, indifference, is upon us. But what fools who talk thus! Why, amico mio, you know as well as I, that death is life, just as our daily momentarily dying body is none the less alive, and ever recruiting new forces of existence. ”
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  Robert Browning — Chapter V (1903)

“ We have sympathy with the rebel who aims at reconstruction, but there is something repugnant to the imagination in the rebel who rebels in the name of compromise. Browning had to defend, or rather to interpret, a man who kidnapped politicians in the night and deluged the Montmartre with blood, not for an ideal, not for a reform, not precisely even for a cause, but simply for the establishment of a régime. ”
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  Robert Browning — Chapter V (1903)

“ It does not harm a man to be certain before opening the books that Whitman is an obscene ranter or that Stevenson is a mere trifler with style. It is the man who can think these things after he has read the books who must be in a fair way to mental perdition. Prejudice, in fact, is not so much the great intellectual sin as a thing which we may call, to coin a word, "postjudice," not the bias before the fair trial, but the bias that remains afterwards. With Browning's swift and emphatic nature the bias was almost always formed before he had gone into the matter. ”
Source: Wikisource

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