Alfred Egmont Hake, Dictionary of National Biography… (1886)
“ It was by his publication of the ‘Gipsies in Spain,’ but more especially by the ‘Bible in Spain,' that Borrow won a high place in literature. The romantic interest of these two works drew the public towards the man as much as towards the writer, and he was the Wonder' of a few years. But in the writings which followed he went too far. ‘Lavengro,’ which followed his first successes in 1850, and which, besides being a personal narrative, was a protest against the ‘kid-glove’ literature introduced by Bulwer and Disraeli, made him many enemies and lost him not a few friends. ”
