Thomas Seccombe

Summary

Thomas Seccombe,  George Borrow

“ Another stumbling block to the critics of 1851 was the peculiar dryness, if we may so describe it, of Borrow’s style. He could respond to the thrill of natural beauty. He could enjoy and find utterance for his mood when it came upon him, just as he could enjoy a tankard of old ale or linger to gaze upon a sympathetic face ”
Source: Gutenberg

Thomas Seccombe,  George Borrow

“ In Pepys the malignity of the literary fairy is more than compensated by the worthy secretary’s insatiable appetite for life; in Borrow by the wanderlust or extraordinary passion and faculty for adventure, which makes his best books such an ambrosial hash of sorcery, Jews, Gentiles, gipsies, prisons, half-in-halves, cosas de España—what you will. ”
Source: Gutenberg

Thomas Seccombe,  George Borrow

“ His determination to be original and to tell the truth, to avoid all padding and second-hand ideas, kept him on the rack; yet he persevered, working hard at the Life with intervals of discouragement for no less than six years. “Lavengro” eventually appeared, in three volumes, in February, 1851, and was received not merely with coldness and unconcern, but with hostile carping and even derision. The critics and Borrow pronounced themselves mutually disillusioned. It was natural that a man like Borrow should magnify and should misinterpret this unexpected blow. ”
Source: Gutenberg

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