Clement King Shorter

Clement King Shorter

Summary

Portrait of Clement King Shorter Clement King Shorter The Life of George Borrow

On the other hand, Hake’s acquaintance with Borrow’s works was far behind that of some Borrovians who did not know Lavengro in the flesh, such as Saintsbury and Mr. Birrell. Borrow was shy, angular, eccentric, rustic in accent and in locution, but with a charm for me, at least, that was irresistible. Hake was polished, easy and urbane in everything, and, although not without prejudice and bias, ready to shine generally in any society.
Source: Gutenberg

Portrait of Clement King Shorter Clement King Shorter The Life of George Borrow

Genius has a right to a poverty-stricken—even to a sordid, boyhood. But genius has no right to a sordid manhood, and here was George “Olaus” Borrow, who was able to claim the friendship of William Taylor, the German scholar; who was able to boast of his association with sound scholastic foundations, with the High School at Edinburgh and the Grammar School at Norwich; who was a great linguist and had made rare translations from the poetry of many nations, starving in the byways of England and of France. What a fate for such a man that he should have been so unhappy for eight years
Source: Gutenberg

Portrait of Clement King Shorter Clement King Shorter The Life of George Borrow

But The Zincali is too confused, too ill-arranged a book to rank with Borrow’s four great works. There are passages in it, indeed, so eloquent, so romantic, that no lover of Borrow’s writings can afford to neglect them. But this was not the book that gypsy-loving Borrow, with the temperament of a Romany, should have written, or could have written had he not been obsessed by the “science” of his subject. His real work in gypsydom was to appear later in Lavengro and The Romany Rye. For Borrow was not a man of science—a philologist, a folk-lorist of the first order.
Source: Gutenberg

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