Alfred Henry Lewis

Alfred Henry Lewis

Summary

Portrait of Alfred Henry Lewis Alfred Henry Lewis Break a Heart and Make an Actor (1903)

Nor is our brilliant Peg one whit behind. The gentle, sweet Cordelia was never so gentle or so sweet as now when the great Woffington portrays her; and, when Garrick, as Lear, in mad simplicity puts wondering finger to her cheek, with the line, "Be these tears wet?—yes, faith!" it shocks him like a knife-stab to find on the face of Peg the wet, real tears, indeed.
Surely, for all the victory, there be acrid ones to carp, and hairsplit, and vent a spleen.
"He does not enter into the infirmities of a man four-score and upward," drawls Walpole, turning a languid eye on Chesterfield.
Source: Wikisource

Portrait of Alfred Henry Lewis Alfred Henry Lewis Break a Heart and Make an Actor (1903)

Garrick thinks on Peg and his coming Lear in one and the same breath. How will he play the part now that these love-doubts are crowding on his heart? His fears for a mighty failure begin to mount.
The curtain goes up.
Garrick is smitten of terrors and tremblings. But he finds Peg's words come true; though his heart be on the rack, he plays the better for it. Never has he so felt the surge and sweeps of genius to carry him along. Now is the mad old Lear a mad old Lear in very truth
Source: Wikisource

Portrait of Alfred Henry Lewis Alfred Henry Lewis Break a Heart and Make an Actor (1903)

Broken and alone, Garrick sinks into Peg's chair, and weeps as for ruined hopes and dreams destroyed, The candles burn out in darkness; the fire dies on the hearth, and leaves the room as cheerless as his heart, And so, throughout the night, Garrick sits unhappy, mourning for his lost one; the hour of greatest triumph is the hour of his mightiest desolation.
Source: Wikisource

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