Summary

Portrait of Leslie Stephen Leslie Stephen English Literature and Society in the Eighteenth Century

When you have written a genuine bit of love-poetry, the last place, I take it, in which you think of seeking the applause of a congenial audience, would be the smoking-room of your club: but that is the nearest approach to the critical tribunal of Queen Anne's day. It is necessary to smuggle in poetry and passion in disguise, and conciliate possible laughter by stating plainly that you anticipate the ridicule yourself.
Source: Gutenberg

Portrait of Leslie Stephen Leslie Stephen English Literature and Society in the Eighteenth Century

A man who would speak upon such topics now must be a grave philosopher, who has digested libraries of philosophy. Addison, of course, is the most modest of men; he has not the slightest suspicion that he is going beyond his tether; and that is just what makes his unconscious audacity remarkable. He fully shares the characteristic belief of the day, that the abstract problems are soluble by common sense, when polished by academic culture and aided by a fine taste.
Source: Gutenberg

Portrait of Leslie Stephen Leslie Stephen English Literature and Society in the Eighteenth Century

No one could feel the pulse of his audience with greater quickness. He had already learned by inference that nothing interests the ordinary reader so much as a straightforward narrative of contemporary facts. He added the remark that it did not in the least matter whether the facts had or had not happened; and secondly, that it saved a great deal of trouble to make your facts instead of finding them. The result was the inimitable Robinson Crusoe, which was, in that sense, a simple application of journalistic methods, not a conscious attempt to create a new variety of novel.
Source: Gutenberg

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