Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood A Desert Episode (1914)

And these two, Paul Rivers and the girl, between them merely a floor of that stone that built the Pyramids, lay a few moments before the Wave of Sleep engulfed them. And, while they slept, two shadowy forms hovered above the roof of the quiet hotel, melting presently into one, as dreams stole down from the desert and the stars. Immortality whispered to them. On either side rose Life and Death, towering in splendour. Love, joining their spreading wings, fused the gigantic outlines into one.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood A Desert Episode (1914)

The swiftest motion produces the effect of immobility; excessive light is darkness; size, run loose into enormity, is the same as the minutely tiny. Similarly, in the desert, life, too overwhelming and terrific to know limit or confinement, lies undetailed and stupendous, still as deity, a revelation of nothingness because it is all. Turned golden beneath its spell that the music and the rhythm made even more comprehensible, the soul in her, already lying beneath the shadow of the great wave, sank into rest and peace, too certain of itself to fear.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood A Desert Episode (1914)

Hurry has no place in the desert; it is born in streets. The desert stands still; to go fast in it is to go backwards. Now, in particular, its enormous, uncanny leisure was everywhere⁠—in keeping with that mighty scale the sunset had made visible. His thoughts, like the steps of the weary animal that bore him, had no progress in them. The serpent of eternity, holding its tail in its own mouth, rose from the sand, enclosing himself, the stars⁠—and her.
Source: Wikisource

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